The Tate Review project.
authors own, 16/10/2013
Authors own, 16/10/2013
when asked to write a short review of one room located within the TATE
modern I wanted to discover a piece or even several pieces working in collision
to leave me wanting to know more about the artist and the particular artistic
style. Another even more important element of this task for me was the hope of
being inspired and potentially being influenced within my own work.
This was genuinely achieved when entering the last room on the list that
was given to us by our tutors. The area was entitled 'Poetry and Dream' and
room 5 was home to a large collection, 165 to be exact, of Russian
revolutionary posters, contributed by David King. I was immediately gawping
excitedly, my eyes scurrying over every image. The almost comic book style was
my first appeal, the block colours in contrast with the black and white
detailed illustrations gave a maturity to what could potentially be very
simplistic almost childlike style. One of the things I recognized and found
really interesting was the shift in artistic approach before and after the
revolution and how Stalinism had such a dramatic effect on art and design
during this period.
I feel I connected
with the collection particularly because of my interest of illustration. I
appreciated the clean, simplicity of the pieces and this in conjunction of
conveying a significant and important message. This not only revealed artistic
talent but gave the art depth and substance. I felt this was something I
related to in regards to my own personal artistic style, combining cartoonish
images with bold and sometimes controversial statements often through
typography or collage.
At the beginning of
this task I was hoping to come away finding something that I could take and
apply to my own work and fortunately I achieved this. Recognizing the similarities
within the collection and my own work and perhaps exploring this artistic
movement further within a future project I may embark upon.


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